广东省2023届高三下学期二模试题英语含答案

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2023 年普通高等学校招生全国统一考试模拟测试(二)

英语

本试卷共 10 页，满分 120 分。考试用时 120 分钟

注意事项：

1.答卷前，考生务必将自己所在的市(县、区)、学校、班级、姓名、考场号、座位号

和考生号填写在答题卡上，将条形码横贴在每张答题卡右上角“条形码粘贴处”。

2.作答选择题时，选出每小题答案后，用 2B 铅笔在答题卡上将对应题目选项的答案

信息点涂黑；如需改动，用橡皮擦干净后，再选涂其他答案。答案不能答在试卷上。

3.非选择题必须用黑色字迹的钢笔或签字笔作答，答案必须写在答题卡各题目指定区

域内相应位置上；如需改动，先画掉原来的答案，然后再写上新答案；不准使用铅笔和涂

改液。不按以上要求作答无效。

4.考生必须保证答题卡的整洁。考试结束后，将试卷和答题卡一并交回。

第二部分阅读(共两节，满分 50 分)

第一节(共15 小题；每小题 2.5 分，满分 37.5 分)

阅读下列短文，从每题所给的 A、B、C、D 四个选项中选出最佳选项。

Community Volunteers Program

Community Volunteers Program is a brand new service opportunity that engages volunteers

in weekly service with community-based organizations in neighborhoods surrounding the Boston

campus.It offers various volunteer placements that will allow you to connect your skills, passions,

and interests with weekly service!

826 Boston

It is a nonprofit kids writing and publishing organization empowering traditionally under-

served students(age 2 to 13)to find their voices,tell their stories,and gain communication skills to

succeed in school and in future life.

·Primary Focus:After-school enrichment/tutoring.

·Opportunity Type:Remote.

Family Gym Program

Family Gym's goal is to provide families with young children(age 0 to 10)with a safe,

accessible space to engage in fun,and age-appropriate physical activity.

·Primary Focus: Nutrition and Meal Assistance, Nutrition and Physical Education.

·Opportunity Type:Virtual/Remote.

Community Servings

Community Servings actively engages the community to provide medically tailored,

nutritious, scratch-made meals to critically ill kids(age 6 to 10)and their families.

·Primary Focus:Food Security,Nutrition and Meal Assistance.

·Opportunity Type:In person.

Hernández After School Program

HASP involves youth from the Rafael Hernández Two-Way Bilingual School to provide the

highest quality of specialized services to meet the educational,social, emotional,cultural,and

recreational needs of its students(age 5 to 12) in the surrounding communities.

·Primary Focus: After-school enrichment/tutoring for multilingual students.

·Opportunity Type: Remote.

21. What is the main job of volunteers in 826 Boston?

A. To teach students expressive skills. B. To provide kids with physical training.

C. To offer teenagers social assistance. D. To help youth with emotional problems.

22. Which program may prefer volunteers with medical knowledge?

A. 826 Boston. B.Family Gym Program.

C. Community Servings. D. Hernndez After School Program.

23. What do the four programs have in common?

A. They advocate healthy diets. B. They focus on education.

C. They feature online service. D. They center around children.

Helga Stentzel's Clothesline Animals combine charming images as fine art prints in various

sizes.

As an artist whose style she calls“household surrealism（超现实主义）”，she works in

various media and has a large collection of works. Instead of throwing an old pair of pants or T-

shirt away,Helga Stentzel puts her tired garments out to the farm. By hanging them on a simple

clothesline she sets up and folding them artfully that look like animals,she takes wonderful

pictures. Some are shot in real locations while others are digitally placed in environments in

charming form with appealing colors.

Siberian-born Stentzel has cooperated with many respectable and well-known brands, one of

which is Hogar Verde,a bio-friendly laundry products brand in Ecuador. For them she has created

the adorable clothing illusicons（错觉）for a print ad campaign，which also drew attention to

the endangered animals shown within, like dinosaurs, polar bears and so on.

Stentzel's practice started from her childhood in Siberia, where she spent hours surveying her

grandmother's carpet, woods and random objects for recognizable forms, including a pile of

buckets looking like the Leaning Tower of Pisa.

In what seems a very simple gesture,Stentzel's works employ household items and turn them

into surrealist images that uncover different reading layers. From food to clothes, the artist is

inspired by everyday olojects and gives them a second life through her creative and really poetic

personal angle.

“I stare at things longer than socially acceptable! It can be anything—a chair, a noodle

hanging off the fork,a lamp post in the middle of the road. Observation is a form of thinking for

me. I really enjoy studying colors, shapes and textures—with no expectation, simply admiring

their unique beauty. Very often there's nothing more to it,but sometimes BOOM!—a creative idea

hits my brain, and it makes a link between sliced bread and wrinkled skin of a French bulldog. It's

very unpredictable,”Stentzel said.

24. How did Stentzel create an artwork according to paragrapl2?

A. By designing clothes on software.

B. By painting animals in various colors.

C. By taking photos of animals on the farm.

D. By hanging clothes folded in animal shapes.

25. What is Stentzel's source of inspiration?

A. Daily items. B. Tourist attractions.

C. Random surveys. D. Childhood adventures.

26. Which of the following can best describe Stentzel's fine art prints?

A. Complex and digital. B. Meaningful and creative.

C. Poetic but commercial. D. Ordinary but bio-friendly.

27. What can we learn from Stentzel's story?

A. Art can give people a second life.

B. Artworks are from life yet above life.

C. Creation is from intentional observation.

D. Cooperation results in adorable artworks.

Could the next Ernest Hemingway or Jane Austen be a well-engineered Al software program?

It's a question becoming increasingly pressing as machine language-learning software continues to

evolve.

Much of this is just nerves. Today's Al creative writing programs are not yet at a stage of

development where they pose a serious threat to Colleen Hoover or Charles Dickens. But while

attention continues to for us on the possibility of a blanket takeover of human literature by Al,far

less consideration has been given to the prospect of Al co-working with humans.

Earlier this month,American sci-fi writer Ken Liu, who had been awarded Hugo and Nebula

to his name, joined 12 other professional authors for a writing workshop on Google's Word craft.

This Al tool, a language generating model, is not yet publicly available but is advertised as an AI-

powerel writing assistant that can, when given the right instruction from the writer,provide helpful

descriptions, create lists of objects or emotional states,and even brainstorm ideas.

The writers at the workshop, however, emerged with mixed reports.“Word craft is too

sensible. Wow!”Robin Sloan wrote.“But‘sensible’is another word for predictable, overused and

boring. My intention here is to produce something unexpected.”

I'm unconvinced that writers awarded the Nobel Prize have much to fear from Al. Their

work, and that of countless other rnove lists,short story writers,dramatists and poets,is too

particular,too beautifully unique. Even if a model learned what they had done in the past, it would

not be able to predict where their creativity might take them in the future. But for authors who

write following a pattern, Al might step in, first as assistants before some day to authorship.

Production-line novels are nothing new.In the 1970s,Barbara Cartland,who wrote more than

723 books in her lifetime,many of which are romance bestsellers,would read her novels for her

secretary to type up at the remarkable rate of roughly seven chapters a week. But already machine

has replaced the secretary's role. Perhaps creative writing software isn't that far from replacing the

Mrs. Cartlands of today.

28. Which aspect of Al calls for more attention?

A. Its damage to our nerves.

B. Its progress in literary studies.

C. Its cooperation with humans.

D. Its influence on human literature.

29. What can we learn about Word craft from the text?

A. It generates novels automatically.

B. It outperforms professional writers.

C. Its works receive praises from the public.

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