2025届广东省广州市天河区普通高中毕业班综合测试(一) 英语试题 Word版

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2025 届天河区普通高中毕业班综合测试（一）

英语

本试卷共 8页，满分 120 分。考试时间 120 分钟。

注意事项：

1. 答卷前，考生必须用黑色字迹的钢笔或签字笔将自己的学校、姓名、班级、座位号和考生

号填写在答题卡相应的位置上，再用 2B 铅笔把考号的对应数字涂黑。

2. 选择题每小题选出答案后，用 2B 铅笔把答题卡上对应题目的答案标号涂黑；如需改动，用

橡皮擦干净后，再选涂其他答案；不能答在试卷上。

3. 非选择题必须用黑色字迹的钢笔或签字笔作答，答案必须写在答题卡各题目指定区域内的

相应位置上；如需改动，先划掉原来的答案，然后再写上新的答案；不准使用铅笔或涂改液。

不按以上要求作答的答案无效。

4. 考生必须保证答题卡的整洁，考试结束后，将试卷和答题卡一并交回。

第二部分阅读（共两节，满分 50 分）

第一节（共 15 小题；每小题 2.5 分，满分 37.5 分）

阅读下列短文，从每题所给的 A、B、C、D四个选项中选出最佳选项。

Looking to take your four-legged friend on holiday? Here are the best pet-friendly hotels in the UK.

Sentry Mead, Isle of Wight

Sentry Mead is a beautifully decorated destination with charming bedrooms. Guests delight in features such as

piles of books, homemade cakes and even a pillow menu. Dogs are welcomed with a bowl at the gate and are

allowed everywhere except the dining room. There are extra blankets just for them, not to mention walks from the

door to Alum Bay, and treats and towels on your return.

No. Twenty 9, Norfolk

This hotel offers a lively stylish atmosphere and charmingly odd features. Rooms are spacious and light, each

named after a music or movie legend. Dogs get their own “fur baby welcome present”, containing a treat, bowls

and a bathrobe. A spa shower in the garden washes off the sand on your friend after a long day on the beach before

settling down in the bar together.

Mayfair Townhouse, London

Mayfair Townhouse is spread over a row of townhouses on Half Moon Street. Inside it offers an abundance of

personality and a touch of oddity with nods to the famous writer Oscar Wilde. Puppies stay for free and receive a

blanket, bowl and “screaming” ball for their stay. There are walks nearby in Green Park, and your pet can join you

in the fancy bar for a “Pawsecco”.

Halfway Bridge

West Sussex

In the heart of the South Downs national park, Halfway Bridge is a welcoming village pub with rooms,

famous for its delicious food. Dogs can stay in select rooms with garden access. In addition to a bed, bowl and

sausage breakfast, treats for four-legged friends are available in the bar, and there’s always a water bowl to hand.

1. Which hotel might be favoured by a literature lover?

A. Sentry Mead & Halfway Bridge. B. No. Twenty 9 & Mayfair Townhouse.

C. Sentry Mead & Mayfair Townhouse. D. No. Twenty 9 & Halfway Bridge.

2. What is unique to Mayfair Townhouse for puppies?

A. Getting a new toy. B. Enjoying a spa shower.

C. Having a walk outdoors. D. Dining with their owners.

3. Who is this text intended for?

A. Visitors to the UK. B. Four-legged friends.

C. Pet owners. D. Travellers with puppies.

Road trips were part of my childhood, but it is hard to say they are entirely fond memories. As someone who

easily got carsick, I spent most of the long drives with my head against the window or leaning awkwardly to the

side. More often, however, I would have to sleep through the CDs in our beaten car.

There was one CD that we often played, one that became the symbolic Road Trip CD in my mind. It was an

album in Mandarin ( 普通话 ) by my mom’s favorite music artist, Leon Lai, who I understood was a major

Cantopop legend in his day. We seemingly only played the unidentified Leon Lai CD during our hour-long road

trips. I didn’t know what it was called until I was in high school and successfully uncovered it by searching through

Leon Lai’s albums on Spotify until I found the one like the CD cover art.

向往，or Longing, a 1998 Mandarin release, didn’t seem to be one of Leon Lai’s most famous works. My

mom didn’t seem to remember why she had it either. The fact that it was in Mandarin, however, made my parents

even more willing to play it on repeat. To make up for me and my brother’s embarrassing unfamiliarity with the

Chinese language, throughout our childhood they were keen on having us watch shows and listen to music in

Chinese as a way for us to immerse ourselves and make up for the ground we lost. They were usually in Mandarin,

because that was what our formal Chinese schooling taught us, even though Cantonese was the dialect our family

actually spoke. This at least meant I could use what I learned in class to understand the lyrics in this album, though

I found the singing harder to understand.

Due to the endless exposure to the songs on the road

the genuinely memorable mix of upbeat and ballad-

like tunes, as well as how well it shows my complicated connection to the Chinese language, this random album

holds a special place in my heart.

4. How did the author feel during road trips?

A. Bored. B. Anxious. C. Uncomfortable. D. Embarrassed.

5. How did the author find the album’s name?

A. By asking his mother. B. By finding the CD case.

C. By searching his high school. D. By matching the CD cover online.

6. What does the underlined word “This” mean in paragraph 3?

A. Chinese schooling. B. Family language.

C. Music in Cantonese. D. Frequent exposure to Mandarin.

7. What does the album Longing mean to the author?

A. A favorite type of music. B. A cherished family tradition.

C. A struggle with language identity. D. A connection between generations.

If you take a minute to think about the things that catch your attention, they’re usually outsized (the Pyramids

of Giza), extraordinarily delicate (a well-composed song), boldly colored (peacock feathers), or shocking (a bolt of

lightning or a twist ending). These attention-grabbing things make us curious: Why is it like this? Where did the

idea come from, or what made this happen?

From these questions come boundless story possibilities. From those ideas, though, we have to eventually cut

them down to the ones worth telling, the ones that will grab and keep our readers’ attention. This issue looks at that

challenge from a variety of angles. Jane K. Cleland tackles the idea of thematic writing — writing that encourages

readers to think about big issues that may or may not affect their lives, but at the very least will make them think

What if… Then Jessica Strawser shares nine ways to write more authentic (真实的) child characters in adult fiction

to bring a fresh perspective and engage readers. Tiffany Yates Martin takes on the debate of the controversial

prologue (序言) — should you or shouldn’t you use one? You’ll have to read on to find out. When it comes to short

fiction, Ran Walker offers tips for making the most of titles and first lines when every word counts. Finally, Amy

Cook looks at the topic from a different angle — when your published book has stopped selling but you know it has

more life in it, how can you use rights reversion to help it reach a new audience?

Our WD Interview for this issue features one author, Michael Cunningham. I was lucky enough to talk with

him about his newest novel, Day, which features everything I love about a Cunningham novel: family drama,

global issues made local, and impossibly affecting, heartbreaking prose. His writing advice was some of the most

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