2023届广东省二模 英语

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2023 年普通高等学校招生全国统一考试模拟测试(二)
英 语
本试卷共 10 页，满分 120 分。考试用时 120 分钟
注意事项：
1.答卷前，考生务必将自己所在的市(县、区)、学校、班级、姓名、考 场号、座位号和考生号填写在
答题卡上，将条形码横贴在每张答题卡右 上角“条形码粘贴处”。
2.作答选择题时，选出每小题答案后，用 2B 铅笔在答题卡上将对应题目 选项的答案信息点涂黑；如
需改动，用橡皮擦干净后，再选涂其他答 案。答案不能答在试卷上。
3.非选择题必须用黑色字迹的钢笔或签字笔作答，答案必须写在答题卡各 题目指定区域内相应位置上；
如需改动，先画掉原来的答案，然后再写 上新答案；不准使用铅笔和涂改液。不按以上要求作答无效。
4.考生必须保证答题卡的整洁。考试结束后，将试卷和答题卡一并交回。
第二部分 阅读(共两节，满分 50 分)
第一节(共15 小题；每小题 2.5 分，满分 37.5 分)
阅读下列短文，从每题所给的 A、B、C、D四个选项中选出最佳选项。
A
Community Volunteers Program
Community Volunteers Program is a brand new service opportunity that engages volunteers in weekly
service with community-based organizations in neighborhoods surrounding the Boston campus.It offers various
volunteer placements that will allow you to connect your skills, passions, and interests with weekly service!
826 Boston
It is a nonprofit kids writing and publishing organization empowering traditionally under-served students(age
2 to 13)to find their voices,tell their stories,and gain communication skills to succeed in school and in future life.
·Primary Focus:After-school enrichment/tutoring.
·Opportunity Type:Remote.
Family Gym Program
Family Gym's goal is to provide families with young children(age 0 to 10)with a safe, accessible space to
engage in fun,and age-appropriate physical activity.
·Primary Focus: Nutrition and Meal Assistance, Nutrition and Physical Education.
·Opportunity Type:Virtual/Remote.
Community Servings
Community Servings actively engages the community to provide medically tailored, nutritious, scratch-made
meals to critically ill kids(age 6 to 10)and their families.
·Primary Focus:Food Security,Nutrition and Meal Assistance.
·Opportunity Type:In person.
Hernández After School Program
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HASP involves youth from the Rafael Hernández Two-Way Bilingual School to provide the highest
quality of specialized services to meet the educational,social, emotional,cultural,and recreational needs of its
students(age 5 to 12) in the surrounding communities.
·Primary Focus: After-school enrichment/tutoring for multilingual students.
·Opportunity Type: Remote.
21. What is the main job of volunteers in 826 Boston?
A. To teach students expressive skills. B. To provide kids with physical training.
C. To offer teenagers social assistance. D. To help youth with emotional problems.
22. Which program may prefer volunteers with medical knowledge?
A. 826 Boston. B.Family Gym Program.
C. Community Servings. D. Hernndez After School Program.
23. What do the four programs have in common?
A. They advocate healthy diets. B. They focus on education.
C. They feature online service. D. They center around children.
B
Helga Stentzel's Clothesline Animals combine charming images as fine art prints in various sizes.
As an artist whose style she calls“household surrealism（超现实主义）”，she works in various media and has
a large collection of works. Instead of throwing an old pair of pants or T-shirt away,Helga Stentzel puts her tired
garments out to the farm. By hanging them on a simple clothesline she sets up and folding them artfully that look
like animals,she takes wonderful pictures. Some are shot in real locations while others are digitally placed in
environments in charming form with appealing colors.
Siberian-born Stentzel has cooperated with many respectable and well-known brands, one of which is Hogar
Verde,a bio-friendly laundry products brand in Ecuador. For them she has created the adorable clothing illusicons
（错觉）for a print ad campaign ，which also drew attention to the endangered animals shown within, like
dinosaurs, polar bears and so on.
Stentzel's practice started from her childhood in Siberia, where she spent hours surveying her grandmother's
carpet, woods and random objects for recognizable forms, including a pile of buckets looking like the Leaning
Tower of Pisa.
In what seems a very simple gesture,Stentzel's works employ household items and turn them into surrealist
images that uncover different reading layers. From food to clothes, the artist is inspired by everyday olojects and
gives them a second life through her creative and really poetic personal angle.
“I stare at things longer than socially acceptable! It can be anything —a chair, a noodle hanging off the
fork,a lamp post in the middle of the road. Observation is a form of thinking for me. I really enjoy studying colors,
shapes and textures—with no expectation, simply admiring their unique beauty. Very often there's nothing more to
it,but sometimes BOOM!—a creative idea hits my brain, and it makes a link between sliced bread and wrinkled
skin of a French bulldog. It's very unpredictable,”Stentzel said.
24. How did Stentzel create an artwork according to paragrapl2?
A. By designing clothes on software.
B. By painting animals in various colors.
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C. By taking photos of animals on the farm.
D. By hanging clothes folded in animal shapes.
25. What is Stentzel's source of inspiration?
A. Daily items. B. Tourist attractions.
C. Random surveys. D. Childhood adventures.
26. Which of the following can best describe Stentzel's fine art prints?
A. Complex and digital. B. Meaningful and creative.
C. Poetic but commercial. D. Ordinary but bio-friendly.
27. What can we learn from Stentzel's story?
A. Art can give people a second life.
B. Artworks are from life yet above life.
C. Creation is from intentional observation.
D. Cooperation results in adorable artworks.
C
Could the next Ernest Hemingway or Jane Austen be a well-engineered Al software program? It's a question
becoming increasingly pressing as machine language-learning software continues to evolve.
Much of this is just nerves. Today's Al creative writing programs are not yet at a stage of development where
they pose a serious threat to Colleen Hoover or Charles Dickens. But while attention continues to for us on the
possibility of a blanket takeover of human literature by Al,far less consideration has been given to the prospect of
Al co-working with humans.
Earlier this month,American sci-fi writer Ken Liu, who had been awarded Hugo and Nebula to his name,
joined 12 other professional authors for a writing workshop on Google's Word craft. This Al tool, a language
generating model, is not yet publicly available but is advertised as an AI-powerel writing assistant that can, when
given the right instruction from the writer,provide helpful descriptions, create lists of objects or emotional
states,and even brainstorm ideas.
The writers at the workshop, however, emerged with mixed reports.“Word craft is too sensible. Wow!”Robin
Sloan wrote.“But‘sensible’is another word for predictable, overused and boring. My intention here is to produce
something unexpected.”
I'm unconvinced that writers awarded the Nobel Prize have much to fear from Al. Their work, and that of
countless other rnove lists,short story writers,dramatists and poets,is too particular,too beautifully unique. Even if
a model learned what they had done in the past, it would not be able to predict where their creativity might take
them in the future. But for authors who write following a pattern, Al might step in, first as assistants before some
day to authorship.
Production-line novels are nothing new.In the 1970s,Barbara Cartland,who wrote more than 723 books in her
lifetime,many of which are romance bestsellers,would read her novels for her secretary to type up at the
remarkable rate of roughly seven chapters a week. But already machine has replaced the secretary's role. Perhaps
creative writing software isn't that far from replacing the Mrs. Cartlands of today.
28. Which aspect of Al calls for more attention?
A. Its damage to our nerves.
B. Its progress in literary studies.
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作者：envi 分类：分省 价格：3知币 属性：9 页 大小：365.15KB 格式：PDF 时间：2024-11-30

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